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SKINFlexibility, comfort, hiding of scars and to be in safety. | ||
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NOISEA display of internal noise and urge for order externally, on paper and in space. | ||
NOISEA display of internal noise and urge for order externally, on paper and in space. | NOISEA display of internal noise and urge for order externally, on paper and in space. | PASSAGEA visualization of the song Passage from Semiomime, translated into a costume. |
PASSAGEA visualization of the song Passage from Semiomime, translated into a costume. | NOISEA display of internal noise and urge for order externally, on paper and in space. | NOISEA display of internal noise and urge for order externally, on paper and in space. |
NOISEA display of internal noise and urge for order externally, on paper and in space. | NOISEA display of internal noise and urge for order externally, on paper and in space. | |
MADAMA BUTTERFLYDesign for the opera Madama Butterfly by Giacomo Puccini. | MADAMA BUTTERFLYDesign for the opera Madama Butterfly by Giacomo Puccini. | DSC02448 |
DYE | DYE | SKINFlexibility, comfort, hiding of scars and to be in safety. |
SKINFlexibility, comfort, hiding of scars and to be in safety. | SKINFlexibility, comfort, hiding of scars and to be in safety. | MADAMA BUTTERFLYDesign for the opera Madama Butterfly by Giacomo Puccini. |
MADAMA BUTTERFLYDesign for the opera Madama Butterfly by Giacomo Puccini. | NOISEA display of internal noise and urge for order externally, on paper and in space. | NOISEA display of internal noise and urge for order externally, on paper and in space. |
NOISEA display of internal noise and urge for order externally, on paper and in space. | PRESSURE PRINT | SKINFlexibility, comfort, hiding of scars and to be in safety. |
THEATRE DESIGN
ANNELIES MICHELLE
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